A favorite hadith of Sunni militant Islamist (jihadi) organizations: “Military garrisoning (ribat) [and jihad to protect the frontiers] in the path of God is better than one thousand days in one of life’s other stations [in prayer and fulfilling other religious obligations],” included in in the 13th century jurist and hadith scholar (muhaddith) al-Nawawi’s Riyad al-Salihin collection, here cited by the late Al-Shabab amir, Ahmed “Mukhtar Abu al-Zubayr” Godane against the backdrop of insurgents following their mid-October 2018 capture of a Somali government military base in Daynunai, Bay region.
The image of the horse (faras) and the horseman (faris) is a central and frequent symbol used in a variety of jihadi culture(s) across different ethno-nationalist groups including Arab, Pashtun, Central Asian, and African organizations. Portraying modern day insurgents and other militants as the contemporary “knight” (faris) and chivalric warrior, the individual defending Islam and the Umma from occupation and persecution by non-Muslim forces and their “apostate” allies, these groups draw upon longstanding sociocultural and historical symbols and motifs, reshaping them into new narrative frames that seek to link today’s militants with idealized figures from the past, in particular the earliest Muslims led by the Prophet Muhammad and his successors, the four “Rightly Guided” (Rashidun) caliphs and the first three generations of Muslims, the Sahaba (Companions), the Tabi’un (successors), and the Tabi al-Tabi’in (successors of the successors). These early generations of Muslims are heralded as the paramount examples of piety, faith, and religious action, the model for all subsequent generations of believers to emulate.
In historico-military terms, these three generations expanded the earliest Arab Muslim states outward from the birthplace of Islam, the Arabian Peninsula, into the Levant, Egypt and North Africa, Anatolia, Iran and Central Asia, Sindh and the Indian Subcontinent, and further afield into Asia, Sub-Saharan Africa, and southern Europe. For today’s jihadis this “golden age” has been idealized in a way to focus centrally on military struggle (jihad al-‘askari) in what most see as the “defense” of the Umma and Islam from external aggression and internal betrayal and perfidy. This purity of intention (niyya) to “strive in the path of God” (jihad fi sabil Allah) is exemplified in the chivalric horseman, the knights of faith (or, as the former Islamic State of Iraq dubbed them, the “knights of martyrdom,” fursan al-shahahda) who are the closest embodiment in the modern age of the Prophet’s generation.
The horse as a symbol plays a central role in pre-Islamic and classical Arabic literature with the term “faras” (referring, in general, to thoroughbred horse; plural: frāsāt) appearing in classical poetry (such as the qasidas of the famous sixth century poet Imru’ al-Qays) as an image of beauty, chivalry, and a symbol and celebration of the skilled horseman and the symbolic nobility of the animals themselves.
Horses are mentioned in the relation to their beauty (3:14) and creation by God for humankind (16:8) as well as throughout the hadith literature. In one hadith the Prophet is said to have said, “There is always goodness in horses” and in others horses are referred to as mounts, in warfare, as food, in racing competitions, and as exempt from zakat.
The horse, central as it was to the early Arab Muslim territorial expansion, was mythologized in early Islamic literature and training manuals (furusiyya) were also developed concerning the animals’ usefulness as cavalry mounts. As the early Muslim states expanded they came into contact with other military equestrian traditions, chiefly that of the Iranians, Central Asian Turks, and the Byzantines and led to interbreeding between the different stocks of horses. In the modern day, mechanized jihadi forces are compared to the fursan of old, often by referencing Qur’an 8:60: “”And prepare against them whatever you can of power and of steeds of war by which you may terrify the enemy of God…”
Skilled horseman on the battlefield, often with banners flying and weapons raised high, the sword and saber of old replaced in jihadi motifs often with rifles and other firearms, appear throughout the media and visual cultures of today’s different jihadi (or, to use their term, mujahidin) groups including the Afghan and Pakistani Talibans, Al-Qaeda Central, Al-Shabab, and Islamic State. Images of the horse cross sectarian boundaries and often appear in Twelver Shi’i religious artwork and the visual culture of modern day Shi’i armed groups in reference both to the Prophet and to the horse, Zuljanah, of the third Imam, Husayn bin ‘Ali. Zuljanah, the martyred Imam’s faithful mount, is linked to the Prophet, who was bought and raised by Muhammad and was later given to Husayn. A white horse, standing as Zuljanah, is central in many contemporary Muharram mourning rituals and processions, particularly in South Asian Shi’i communities as well as in their diasporas.
Below are a number of photographs and visual motifs of horses in contemporary jihadi culture(s) as well as selected segments from audiovisual releases with brief annotation. Due to space and time constraints, the below is, of course, not exhaustive; there are numerous groups using or that have used equestrian (and dromedary) imagery:
(1) The Encyclopaedia of Islam, 2nd Edition, in particular the articles on “Faras” and “Furusiyya.”
(2) Description in Classical Arabic Poetry: Wasf, Ekphrasis, and Interarts Theory (Akiko Motoyoshi Sumi; Brill, 2003).
(3) “The Horse in Arabia and the Arabian Horse: Origins, Myths and Realities” (Jérémie Schiettecatte and Abbès Zouache; Arabian Humanities 8, 2017): https://journals.openedition.org/cy/3280?lang=en
(4) “Horse, Hawk and Cheetah: Three Arabic Hunting Poems of Abū Nuwās” (J. E. Montgomery, Cordite Poetry Review, 1 February 2015: http://cordite.org.au/translations/montgomery-nuwas/)
(5) Night & Horses & the Desert: An Anthology of Classical Arabic Literature (Robert Irwin; Anchor, 2002)
(6) Early Islamic Poetry and Poetics (Edited by Suzanne Pinckney Stetkevych; Routledge, 2017)
(7) The Mute Immortals Speak: Pre-Islamic Poetry and the Poetics of Ritual (Suzanne Pinckney Stetkevych; Cornell University Press, 2010)
(8) The Poetics of Islamic Legitimacy: Myth, Gender and Ceremony in the Classical Arabic Ode (Suzanne Pinckney Stetkevych; Indiana University Press, 2002).
(9) “Refighting the Past in the Present: Modern Conflicts and the Mobilizing and Contesting of Sacred History” (my own short piece at Maydan; 17 November 2016): https://www.themaydan.com/2016/11/refighting-past-present-modern-conflicts-mobilizing-contesting-sacred-history/
UPDATED 25 October 2019, 5:13 p.m.:
UPDATE: 28 October, 12:54 p.m.:
A selection of posters produced by the Palestinian Islamist movement HAMAS including by its political branch, military wing (the Brigades of the Martyr ‘Izz al-Din al-Qassam), and media departments and including posters to commemorate “martyrs” and mark major events in HAMAS’ history. The group’s visual culture combines both religious and nationalist symbols and motifs.
The foreign and local mujahideen insurgents active in Chechnya and the North Caucasus in the 1990s into the mid-2000s regularly produced photography which was disseminated by a number of different media networks. In this photo essay are a selection of these photographs including ones showing Arab and regional commanders including the legendary “Amir Khattab” (Samir Saleh ‘Abdullah), killed by poison in March 2002; Supyan Abdullayev, deputy leader of the Islamic Emirate of the Caucasus killed in March 2011; Shaykh Sa’id Buryatsky, a clerical figure in the Islamic Emirate of the Caucasus killed in March 2010; Aslan Maskhadov, the Chechen president killed in March 2005; Abu al-Walid al-Ghamdi, the Saudi commander of the Arab foreign fighters until he was killed in April 2004; & Abu Hafs al-Urduni, al-Ghamdi’s successor who was killed in November 2006.
South Asian Sunni jihadis are marking the 12th anniversary of the July 3-11, 2007 siege of the Lal Masjid (Red Mosque) in Islamabad by Pakistani government forces, which were responding to increasing violent activism by male and female students at the mosque’s two schools including its now famous women’s madrasa, Jami’a Hafsa. These groups include pro-Al-Qaeda and Islamic State militants as well as Pakistan and Kashmir-centered groups including the sectarian Lashkar-e Jhangvi.
The mosque’s deputy imam, ‘Abdul Rashid Ghazi, who was killed during the siege, became a central “martyr” figure in Sunni jihadi visual and literary cultures, particularly but not only to South Asian groups. Different factions of the Tehrik-i Taliban Pakistan, the Islamic Movement of Uzbekistan, and the Islamic Jihad Union have named military attacks or campaigns and special units after him or in memory of the scores of students and others killed during the siege by government forces. Ghazi and the other martyrs were eulogized by Al-Qaeda Central (AQC) and other major jihadi groups and figures, with Ayman al-Zawahiri and the late AQC leader Abu Yahya al-Libi placing him in the pantheon of the “mujahid ‘ulama” who, they said, are exemplary figures for the Umma.
UPDATED JULY 11, 2019:
UPDATED JULY 13, 2019:
The 189th issue of Islamic State’s weekly Al-Naba newsletter included an interesting and detailed profile highlighting the importance of individuals with formal religious studies expertise. They are particularly important for the militant organization and its regional affiliates and branches due to their often lack of many credentialed, highly educated religious scholars.
The article highlights one of Wilayat Khurasan’s “shining” religious scholars (‘ulama) & late wali (governor), Abu ‘Umayr ‘Abd al-Hasib al-Logari, who ascended to the top of Wilayat Khurasan after the July 2016 drone killing of Hafiz Sa’id Khan, heralding the former’s leadership during “one of the most difficult periods” for the “Province.” Wilayat Khurasan is the Afghanistan branch/affiliate of IS’ core organization. It maintains connections with the core while also having its own set of local and regional dynamics and interests. ‘Abd al-Hasib is referred to as a hadith scholar (muhaddith).
Born in Kurram agency in Khyber Pakhtunkhwa in Pakistan, ‘Abd al-Hasib studied extensively Arabic, Persian, & English in addition to his native fluency in Pashto and Urdu. He formally studied Islamic law & fiqh with a hadith specialization for 8 years at the Jami’a Imam Bukhari & then studied the Six Books (canonical Sunni collections: Sahih al-Bukhari, Sahih Muslim, Sunan Abu Dawud, Jami’ al-Tirmidhi, Sunan al-Nasa’i) at the Ganj Madrasa in Peshawar for 4 years.
After completing his studies, he decided to travel to Afghanistan to join the battle against “polytheism” (shirk) & “Sufism” (tasawwuf), spreading the “true” message of absolute monotheism (Tawhid).
He taught shari’a & fiqh for two years as member of the Afghan Taliban before leaving with defectors & TTP commanders who accused their rivals of being linked to the “apostate” Pakistani government, serving as a deputy to founding wali, Hafiz Sa’id Khan.
As Khurasan wali, ‘Abd al-Hasib he participated in fighting the “Crusaders” on the frontlines of Nangarhar in ribat & established the proto-state governing offices (dawawin, diwans) of the Wilayat.
Despite his leadership duties, he also continued his role of religious teaching & preaching, spreading “Tawhid” & the “loyalty & disavowal” (al-wala min al-mu’minin wa-l-bara ‘an al-kafirin) among locals. He died in battle against U.S. forces on April 27, 2017.
A selection of visual materials produced independently by Sunni jihadis and their supporters drawing upon American military and pop culture themes including the U.S. Marines’ slogan, the iconic posed Iwo Jima flag-raising photograph from the Second World War, and the HBO miniseries Band of Brothers (which is when those two posters were produced).
The images in these posters include the late Shaykh ‘Abdullah ‘Azzam, the late Saudi foreign fighter commander in Chechnya and the North Caucasus Abu al-Walid al-Ghamdi, Al-Shabab spokesman and official ‘Ali Mohamud Rage (‘Ali Dheere), and the then-Al-Shabaab officials Mukhtar “Abu Mansur” Robow and Hasan Dahir Aweys.
Professional website and academic blog of Christopher Anzalone, Ph.D.
I am a visiting research scholar at the Ali Vural Ak Center for Global Islamic Studies at George Mason University. Formerly I was both a postdoctoral and predoctoral research fellow with the International Security Program at Harvard University’s Belfer Center for Science and International Affairs from 2016-2019. My research interests include political Islam, political violence and terrorism, Shi’i Islam, and Islamic visual cultures and narratives of martyrdom and self-sacrifice. I completed a Ph.D. in Islamic, Middle Eastern, and African studies at McGill University, an M.A. in Near Eastern Languages and Cultures from Indiana University, Bloomington, and a B.A. double major in history and religious studies from George Mason University. Methodologically my research is grounded in history and political sociology.
My first book project, Islamizing Rebel Governance: Jihadi Insurgencies and Symbolic Power, examines the symbolic, framing, and narrative dimensions of territorial proto-state governing projects of Islamist rebel groups including Al-Shabab in Somalia, Islamic State and its branches, Al-Qaeda in the Arabian Peninsula, and the Afghan Taliban. This multidisciplinary project, drawing from history and political sociology, examines the strategies and experiences of Islamist insurgent organizations that have actively attempted to set up civil governing systems through which to interact with local civilian populations. It situates the study of Islamist insurgent groups with governance ambitions within the growing literature on rebel governance.
My research draws upon scores of thousands of primary sources – print texts, videos, radio broadcasts and audio recordings, posters and billboards, and photography – produced and released by non-state Islamist groups.
On this site I will post about my research on Islamic social movements and organizations, Shi’i Islam, political Islam (Islamism), and Islamic visual cultures with a specific focus on militant Islamist (jihadi) visual culture. One of the main goals of the site is to serve as a digital platform for the sharing and discussion of textual (print, visual, and aural) primary sources as key digital historical artifacts.
What’s in a Name?
The site’s name, which translates to “son of the Sicilian” (ابن الصقلي), is taken from my first blog (a Blogger project unfortunately now defunct due to Google) that I started as an undergraduate many years ago when I wrote anonymously under a pen name. My father’s family is of central Italian and Sicilian background, which is why I chose “Siqilli” as a pen name at the time.
Disclaimer: This should be clear but needs to be explicitly said: This is an academic website and blog for analysis and scholarly discussion. I do not endorse or in any way support violence or terrorism. In order to understand political violence and its use by a variety of states and non-state organizations, academics, government and other professional career practitioners, and the public must be able to analyze and publicly discuss it and related topics and issues.